REBECCA ALOISIO
2017, “Pierce”

 


GIUSEPPE ALBI
2006, “Scribbles”

  • 16″ x 16″, Framed
  • Acrylic on styrene

 


TANIA ALVAREZ
2018, “Whats Left Behind”

  • 8″ x 10″
  • Acrylic, paste paint, graphite and wax crayon on panel
  • taniaalvarez.com

 


DOROTHY ARNOLD
2000, “Rhythms of Gold”

  • 12″ x 12″
  • Acrylic, glass & mirror on canvas

 


LUCY BAKER
2000, “Two Yellow Dots”

  • 20″ x 16″
  • Acrylic and Glitter on Canvas

 


MAX BARD
2019, “American Blue Steel”

 


KATIE BARRIE
2017, “Song Tapes”

 


PAUL BEHNKE
2014, “Siding Spring”

 


STEPHANIE BERNHEIM
1999, “Pine Plains Vinyl #2”

  • 12.75″ x 10″, Framed
  • Laser with Polaroid prints

 


STEPHANIE BERNHEIM
1999, “Pine Plains Vinyl #3”

  • 12.75″ x 10″, Framed
  • Laser with Polaroid prints

 


STEPHANIE BERNHEIM
1999, “Pine Plains Vinyl #4”

  • 12.75″ x 10″, Framed
  • Laser with Polaroid prints

 


STEPHANIE BERNHEIM
1999, “Pine Plains Vinyl #5”

  • 12.75″ x 10″, Framed
  • Laser with Polaroid prints

 


GARRY BERTEIG
1992, “Moon Smoke”

 


TESIA BLACKBURN
2017, “Swinging Lotus Love”

 


RANDY BLOOM
1998, “Philosopher’s Way”

 


SYDNEY BLUM
Circa 1990’s, “9XWRVH flock L”

  • (9) 1′ x 3′
  • Cement sculptures

 


VAL BRITTON
2015, “Untitled”

 


EDWARD CHAPLIN
2005, “Decomposed Composition 2?

  • 21″ x 24″
  • Acrylic on canvas

 


CORA CLUETT
2014, “Green Could Be Like That (study)”

  • 10″ x 10″
  • Acrylic on canvas on panel

 


CORA CLUETT
2014, “The Nature of Redness”

  • 18″ x 18″
  • Acrylic on canvas on panel

 


SUSAN CONNOLLY
2017, “Untitled (80’s)”

 


TERESA COX
2019, “Green Glow”

 


JAMIE DALGLISH
2000, “Pink Panther Bust”

 


SARAH DINEEN
2015, “Certain Dark Things Study #17”

 


MELISSA DORN
2019, “Mop Portrait”

 


TIM DOUD
2017, “CDGJWBK(Navy)”

  • 17″ x 14″
  • Acrylic, flashe, spray paint, oil enamel on canvas
  • timdoud.net

 


RAY DUNLAP
2007, “Silver Sliding Stallions”

  • 14.5″ x 14.5″
  • Acrylic and mixed media on canvas

 


JAMES DWYER
2000, “Fandango”

  • 13.5″ x 15″
  • Acrylic on canvas & Foam Core

 


ROSEMARIE FIORE
2017, “Untitled”

 


ROSEMARIE FIORE
2017, “Tumble Painting #19”

 


ARPAD FORGO
2019, “Untitled”

 


MARY FRANK
1971, “Sea Study VIII”

 


AUSTIN FURTAK-COLE
2019, “Thighs”

 


EFRAT GALNOOR
2013, “GAC Production Floor”

 


RAINER GROSS
1995, “Line Work”

 


JEFFREY DEANE HALL
2015, “After Marsden Hartley – Portrait of a German Officer”

 


DANA HARGROVE
2018, “Untitled”

 


DANA HARGROVE
2018, “Cairn Post”

 


EMANUELA HARRIS-SINTAMARIAN
2018, “Whatever Doesn’t Kill You Makes You Cynical”

 


HUEY-CHIH HO
2017, “Chocolate Cake”

 


GEORGE HOFMANN
2006-07, “Untitled Collage, After Giotto”

 


ELIZABETH HORNOR SNELLING
2017, “Queen Anne’s Lace”

 


JENNA HUDOCK
2019, “Untitled”

  • 8″ x 8″
  • Acrylic on panel

 


SUE JOHNSON
2020, “Neo-Gradiva” Hall of Portraits from the History of Machines

  • 12″ x 9″
  • Acrylic and image transfer on paper mounted on panel
  • suejohnson1.com

 


SUE JOHNSON
2020, “Bride” Hall of Portraits from the History of Machines

  • 12″ x 9″
  • Acrylic and image transfer on paper mounted on panel
  • suejohnson1.com

 


HORTENSE KASSOY
Circa 1960’s, “Untitled”

  • 20″ x 22″, Framed
  • Watercolor on paper

 


HORTENSE KASSOY
Circa 1960’s, “Untitled”

  • 19″ x 26.5″, Framed
  • Watercolor on paper

 


HORTENSE KASSOY
1958, “Untitled”

  • 27.5″ x 19″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1958, “Untitled”

  • 27.5″ x 19″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1964, “Untitled”

  • 28″ x 23″, Framed
  • Ink and watercolor on paper

 


HORTENSE KASSOY
1963, “Untitled”

  • 28″ x 23″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1968, “Untitled”

  • 28″ x 23″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1963, “Untitled”

  • 28″ x 23″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1963, “Untitled”

  • 28″ x 23″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1968, “Untitled”

  • 28″ x 23″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1964, “Untitled”

  • 26.5″ x 21.5″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1965, “Untitled”

  • 23″ x 28″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1964, “Untitled”

  • 29″ x 23″, Framed
  • Ink on paper

 


HORTENSE KASSOY
“Untitled”

  • 28″ x 23″, Framed
  • Ink on paper

 


HORTENSE KASSOY
1964, “Untitled”

  • 29″ x 23″, Framed
  • Ink and watercolor on paper

 


HORTENSE KASSOY
1963, “Untitled”

  • 23″ x 17″, Framed
  • Ink and watercolor on paper

 


HORTENSE KASSOY
“Untitled”

  • 23″ x 17″, Framed
  • Ink and watercolor on paper

 


HORTENSE KASSOY
1981, “Untitled”

  • 17″ x 23″, Framed
  • Pastel on paper

 


HORTENSE KASSOY
1980, “Untitled”

  • 23″ x 17″, Framed
  • Pastel on paper

 


HORTENSE KASSOY
1981, “Untitled”

  • 23″ x 17″, Framed
  • Pastel on paper

 


MAYA KABAT
2018, “Midnight Snack 15”

 


MAYA KABAT
2018, “Course and Wythe 12”

 


MAYA KABAT
2018, “Course and Wythe 11”

 


CHRISTINA KEITH
2019, “Untitled”

 


KERI KIMURA
2019, “Multi-Measure Rest”

 


ANNA KUNZ
2018, “King + Queen”

  • 13″ x 11″
  • Acrylic, mica and custom oil on linen
  • annakunz.net

 


KRISTIN LAMB
“Floral with Butterfly (After French Wallpaper)”

 


ELLEN LANYON
2004, “Iris – Whole & Part”

  • 11.75″ x 11.75″
  • Acrylic on panel

 


HYOYOUN LEE
2017, “Mom Kid”

 


HYOYOUN LEE
2017, “A Girl in a Checkered Shirt”

 


ELIZABETH LIVENSPERGER
2018, “Exodus”

 


ELIZABETH LIVENSPERGER
2018, “Outer Office”

 


CORRINE LOOMIS-DIETZ
2017, “Structures Under the Landscape”

 


SOPHIE LOURDES KNIGHT
2019, “The Shakes”

 


BJORN LUNDELL
2017, “Golden Hauch”

 


DAVID MACKENZIE
2007, “#6 – 2007 – 04?

  • 12″ x 12″
  • Acrylic on canvas

 


ORLY MAIBERG
2018, “Untitled”

 


VALERIE MARGOLIS
1988, “Green Monolith”

 


VALERIE MARGOLIS
1985, “Two Heads V”

 


VALERIE MARGOLIS
1994, “Ideogram on Ochre”

 


BARBARA MARKS
2019, “Recollection 151 (New Berlin)”

 


PAMELA MARKS
2014, “Video Composite 22”

  • 12″ x 12″
  • Acrylic on canvas

 


SIOBHAN MCBRIDE
2019, “Ferry Rides and Comfort Inns”

 


STEVE MCCALLUM
2000, “Simple Summer”

  • 25.5″ x 25.5″
  • Acrylic on canvas

 


DAVID MCGOUGH
2009, “Michael Jackson 1984 NY – 8/100”

 


DAVID MCGOUGH
2009, “Michael Jackson 1984 NY – 9/100”

 


DAVID MCGOUGH
1984, “Madonna 1984 NY – 5/11”

 


MYCHAEYLN MICHALEC
2019, “Study #6”

 


ALLISON MILLER
2015, “Not So Gray”

 


IRA MITCHELL-KIRK
2017, “Ripples on the Water, Lake Wanaka, NZ”

 


MINAA MOHSIN
2018, “Orange Adirondack Chair”

 


ENDA O’DONOGHUE
2014, “Skylab – #1”

 


HELEN O’LEARY
2017, “Unraveling Developments-Fragment”

 


ERYN O’NEILL
2019, “Barn Wall”

 


SARAH PATER
2017, “View (L’avventura)”

 


CARL PLANSKY
circa 2004, Untitled painting donated by Phil Young

  • Oil on paper

 


HUNTER POTTER
2018, “There will always be obstacles, my dear. Pay them no mind.”

 


MEL PREST
2012, “GF Sunflower”

 


KAZAMIRA RACHFAL
2018, “Particles and Fields in Space”

 


KAZAMIRA RACHFAL
2018, “Sky at Golden”

 


SCOTT REEDS
2018, “Super Bloom”

  • 12″ x 4″ x 4″
  • Aluminum sheet, gesso, acrylic paint
  • scottreeds.com

 


MICHAEL ROYCE
2020, “Sleep of Reason (after Goya)”

 


RUBEN SALINAS
2017, “Untitled”

 


PAUL SHAKESPEAR
2012, “Folio”

 


LAURA SHARP WILSON
2018, “Clothesline”

 


BONELL SILVERMAN
2005, “Orange Mist”

  • 37″ x 29″
  • Acrylic, fiberglass screening, and cotton sheet on canvas

 


SANDI SLONE
1999, “Fontana”

 


SANDI SLONE
1999, “Wave Theory”

 


SUSANNA STARR
1998, “Sponge Study”

  • 4″ x 9″ x 6″
  • Acrylic on synthetic sponge

 


KIRK STOLLER
2018, “Untitled (intersect)”

  • 13″ x 11″ x 2″
  • Wood, Acrylic, latex paint

 


CAROL SUTTON
2004, “Scallop Triangle”

 


ERIN TREACY
2013, “Cap, Covered, Conceal”

 


SOPHIE TREPPENDAHL
2020, “Red Studio Chair at Golden”

 


MERRYN TREVETHAN
2018, “Mad Rush #4”

 


MERRYN TREVETHAN
2018, “Mad Rush #5”

 


REINHARD VOIGT
2000, “Untitled”

  • 16.5″ x 15″
  • Acrylic on canvas

 


JIM WALSH
2017, “The Search”

 


CHUCK WEBSTER
2005, “Untitled”

 


JERALD WEBSTER
1999, “Trinidad”

  • 16″ tondo
  • Acrylic on panel

 


MASON WILLIAMS & SHERI HOEGER
2007, “X O Stencilism”

 


KEVIN WITZKE
2012, “The Cornfield (237 Bell Road)”

  • 25.75″ x 18.25″
  • Acrylic and earth pigment on paper

 


ARTHUR YANOFF
2003, “Wind 5-4-03”

 


ARTHUR YANOFF
2011, “Fish Scales”

 


ARTHUR YANOFF
2011, “Reflections on Melville: Apparition at Greylock”

 


CHARLES HOSSEIN ZENDEROUDI
2000, “The Cow in NY #33?

 

Purchasing Work

Conditions of Sale

  1. All sales are final. Artwork cannot be returned, refunded or exchanged. All property is sold “as is,” “where is,” as exhibited.
  2. Purchasers may pay for purchases with credit card, cash or personal check.
  3. It is highly encouraged that potential buyers consult with a tax professional in order to determine any available tax deductions.
  4. The Sam & Adele Golden Foundation for the Arts, Inc. makes no warranties or representation of any kind or nature with respect to any work of art including, and not limited to, any representations or warranty of description, genuineness, attribution, provenance, or physical condition, nor as to the right of reproduction, if any.
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Pick-Up and Delivery

  1. Work is transferred after payment is received in full.
  2. The buyer is responsible for shipping or picking up the work from The Sam & Adele Golden Foundation for the Arts, Inc. located at 237 Bell Road, New Berlin, NY 13411.
  3. The Sam & Adele Golden Foundation for the Arts, Inc. may, in its discretion and at a purchaser’s request, package and ship items as directed by the purchaser.
  4. All such packaging, handling, shipping and insurance is at the sole risk of the purchaser and the Sam & Adele Golden Foundation for the Arts, Inc. shall have no liability for any loss or damage to such items.
  5. Purchaser shall pay all related expenses in advance.
  6. Allow 4-6 weeks for shipping.